Atelier Jacob Merkelbach


Atelier Jacob Merkelbach
Publié par Lapetitemelancolie le 25/01/2019
encore une fois,fabuleux travail de recherche et présentation

La Petite Mélancolie

« Jacob Merkelbach was the founder of one of the most famous Amsterdam portrait photography studios of the twentieth century on the fifth floor of fashion house Hirsch at Leidseplein Studio J Merkelbach ( Atelier Merkelbach) In the luxurious studio above the fashion warehouse Hirsch on the Leidseplein, he photographed almost all famous Dutch people from the theater world, writers, artists, businessmen and the wealthy Amsterdam bourgeoisie. Taking pictures of Abel Herzberg, André Herzberger, Carel Asser Daniel comme Mata Hari , Fien de la Mar , Théo Mann-Bouwmeester , Willem Mengelberg et Abel Herzberg , se sont fait capturer sur l’album sensible.and many others. His photographs are unique and of exceptional quality. You can see here the galery of protraits  .The personal signature in the design and execution of each portrait, the technical knowledge of the staff and the professional cooperation of the daughter and son-in-law made this…

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Sent M’ahesa (Else von Carlberg)


Le superbe travail de recherche de cette blogueuse.
Sent M’ahesa (Else von Carlberg)
Publié par Lapetitemelancolie le 22/01/2019

La Petite Mélancolie

Sent M’Ahesa

“Such confusion of identity did not apply in the case of Sent M’Ahesa (Elsa von Carlberg 1893-1970), whom audiences persisted in identifying with Egyptian dances (though her dance aesthetic  included images from other ancient o exotic cultures). She performed all her dances solo. Born in Latvia, she went to Berlin in 1907 with her sister to study Egyptology but became so enchanted with ancient Egyptian art and artifacts that she decided to pursue her interest through dance rather than scholarship… Under he name of Sent M’Ahesa, she presented a program of Egyptian dances in Munich in December 1909 (Ettlinger). From then until the mid-1920s, she achieved fame for her exceptionally dramatic dances dominated by motifs from ancient Egyptian iconography. …

Her dances always functioned in relation to intricate, highly decorative costumes of her own design, so that it appeared as if she chose movements for their effect upon her costume.  In…

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Carabin François Rupert


La Petite Mélancolie
killing time with beauty
Carabin François Rupert
Publié par Lapetitemelancolie le 07/01/2019

La Petite Mélancolie

Carabin François-RupertFemme nue couchée de dos, les pieds en l’air 1895-1910

Carabin François Rupert Femme nue debout de dos jambe levée

Carabin François-Rupert Femme nue couchée de dos, visage vers objectif

Carabin François-Rupert

Carabin François-Rupert

Carabin François-Rupert

Carabin François-Rupert Femme nue accroupie de dos, 1895-1910

Carabin François-Rupert FFemme nue assise de dos 1895-1910

Carabin François-Rupert Femme nue debout de profil droit1895-1910

Carabin François-Rupert Femme nue debout de face, main droite derrière la tête

Carabin François-Rupert Femme nue debout de face, bras gauche plié, couvrant le visage 1895-1910

Carabin François-Rupert Femme nue accroupie de dos, 1895-1910

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NADJA GENEROSOW Peintre


VITA
1953 geboren in Leningrad
1960-1970 Zehnklassige Allgemeinbildende Polytechnische Oberschule
1971-1978 Architekturstudium an der Akademie der Künste in Leningrad
1978-1984 Architektin in „LENPROEKT“
1984-1994 Architektin an der Kunstfond des Künstlerverbandes UdSSR
seit 1994 Wohnsitz in Sachsen

VIE
1953 Naissance à Leningrad
1960-1970 Études générales et secondaires – Polytechnique
1971-1978 Études d’architecture à l’Académie des Arts de Leningrad
1978-1984 Architecte « LENPROEKT »
1984-1994 Architecte à la fondation des Arts de l’union des artistes Russes
seit 1994 Réside en Saxe

 

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Teilnahme an Kunstprojekten und Ausstellungen

Participation à des projets d’Art et expositions

1995 Ausstellung in Klub BBZ Chemnitz
1996 Ausstellung in „VILLA LILA“, Chemnitz
1997 Ausstellung „PETERSBURGER HÄNGUNGEN“ in der Staatlichen Galerie
Karmeliterkloster, Frankfurt am Main
1997 „Atelier als offene Werkstatt“ zusammen mit Valeri Generosow, Chemnitz
1999 Internationale Keramiksymposium „DIALOG I“, Chemnitz, Kuratorin
1999 Ausstellung „Architekturbezogene Kunstobjekte“ im Haus de Architekten, Dresden
2001 Projekt „IN SICHT“ in Chemnitz. Aufstellung der Skulptur „Musiker“ am Brühl
2001-2010 Ständige Teilname an „Offene Ateliers“ in Dresden

2002-2005 Mitglied des Deutschen Künstlerverbandes BBK, Künstlergruppe ZMO

2002 Omsewitzer Adventskalender/Fenstergestaltung (Projektbeteiligung)
2003 Ausstellung in Sächsischen Landtag in den Räumen PDS-Fraktion
2003 Ausstellung „Prolog“ in den Räumen des Hauses der Architekten in Dresden
2003 Internationale Ausstellungsprojekt „DIALOG II“ in St. Petersburg
2004 Internationale Ausstellungsprojekt „DIALOG III“ in Dresden
2008 Ausstellung „Jahreszeiten“ in DREWAG- Kundenzentrum, Dresden

seit 2009 Mitglied des Neuer Sächsischer Kunstvereins e. V.

2010 „Wittenberger Kunstwege“ Ausstellungsprojekt in Lutherstadt Wittenberg
2010 „6. KUNST: offen in Sachsen“ Dresden
2010 Teilnahme am Künstlerwettbewerb Springbrunnen / Kurländer Palais in Dresden
2010 „Unterwegs nach Dresden“ Ausstellung in den Räumen IBZ, Dresden
2011 „Landschaften und Stillleben“ in Begegnungszentrum „JOHAN“, Dresden
2011 „Wir aus Leningrad“ in Deutsch-Russischen Kulturinstitut e.V. in Dresden
2011 Einzelausstellung in den Räumen ADZ NAGANO GmbH
2011 „GUTE AUSSICHTEN!?“ HELLERAU – EUROPÄISCHES ZENTRUM DER KÜNSTE DRESDEN
seit 2012 Wohnsitz in Leipzig
2013 Ausstellungsteilnahme „Atelier MEGA“ im Tapetenwerk, Leipzig
2013 „Halle C01 – onLINE“, Ausstellung des Bundes Bildender Künstler Leipzig e.V.
2014 „zeitgleich 2014 / zeitzeichen BBK“, Ausstellung BBK Leipzig e.V.

Kunstwerke wurden von Sammlern aus USA, Deutschland, Schweden, Ecuador und Dänemark erworben

Des oeuvres ont été achetées par des collectionneurs des Etats-Unis, de l’Allemagne, de la Suède, du Danemark et de l’Equateur

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Michel NASLOT, un des administrateurs du site.

 

Maher Naji a Palestinian artist


 

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After his family fled from Northern Sawafer Village, Maher Naji was born in 1963 in Jabalya refugee camp, where he finished his primary and secondary education. He left for Russia in 1983 and joint the Baron Stieglitz Art Academy in St-Petersburg and returned to Gaza in 1994 after receiving a PHD in Arabian architecture.He participated t many events and exhibitions n the ground.

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Exhibitions

2014: Festival of contemporary art -Palestine (fragrance of the sand)/exhibition traces in Ramallah

2012: Festival of contemporary art (Tawasol)/ Group exhibition « challenge features » in Gaza/Ismail Shamout competition for arts/exhibition « winter’s warmth »

2011: First Festival for arts at Said Al Meshal Gaza…

 

For any contact

naji.maher@hotmail.com

https://www.facebook.com/maher.naji.73

 

Artist authorship + no commercial use + no modification           Copyright ©Maher Naji

                              Vitrinart      © Copyright 2012-2014   All right reserved 

 

 

Carole Sahebzadah

Co-admin du site

 

 

Laila Sahrai fine arts afghani artist


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Laila Sahrai is a Fine Arts artist born in Kabul/Afghanistan in 1975. She is living in Germany.

2002 – 2007 Study of Fine Arts (Painting, drawing, Graphic) on the “Academy of Visual arts” in Enschede/NL

Since 2007 Free Artist

Exhibitions

Since 1999 continuous exhibitions on National level Publications (extract) –
Aki Eindexamenkatalogus 2007 (NL 2007) -Sahrai Malereien & Zeichnungen (Leipzig/Köln 2010) –
Künstlerische Vielfalt in Leipzig, eine Dokumentation (Leipzig 2013) –
International Contemporary Artists Vol. VIII ( New York, USA 2014)

 

Websites with her works:

www.lailasahrai.de

www.lailasahrai.galerie.nl

www.sahrai.artists.de

www.lailasahrai.jimdo.com

http://www.depot-k.com/m_sahrai

 

Contact
lsahrai@yahoo.de

 

Artist authorship + no commercial use + no modification

Copyright ©LAILA SARAI AFGHANI ARTIST

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Copyright ©LAILA SARAI AFGHANI ARTIST

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Carole Sahebzadah  – une des administratrices du site

 

Guldusi embroideries from Afghanistan


Guldusi embroideries from Afghanistan

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We have the great pleasure to present an interesting cultural hand embroideries project from the German-Afghan initiative (DAI) in V.Freiburg under the administration of a wonderful French woman Pascale Goldenberg born in Paris and living in Freiburg Brisgau with her family.

She is an artist, writer, geologist, humanitarian, professional in the textile field, managing and attending textile and hand made embroideries exhibitions in Europe and on another side traveling to villages in Afghanistan despite numerous security matters in order to deal herself with the local women embroiderers …

This project has born 10 years ago it is named GULDUSI

In Farsi and in Paschto as well – the two official languages in Afghanistan – ‘gul’ means flower, and in Farsi ‘dusi’ means embroidery.
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The term ‘guldusi’ is used by the women for all kinds of hand made embroideries or types of embroideries, thus for embroidery in general. Therefore they chose the name GULDUSI for their website. The idea of the project is

Linking Afghan culture with the rest of the world

Their website presents two embroidery projects in Afghanistan.

Many of the women living in rural areas of Afghanistan are highly skilled hand made embroiderers. The aim is to provide opportunities for them to generate an income using their embroidery skills and at the same time hope these projects will help to safeguard traditional hand embroidery skills from disappearing.

The concept is to help these small works of art to become known beyond Afghanistan, to be liked, get inspired by and purchased. When people in other parts of the world incorporate these hand embroideries into their own textile work, two cultures become connected.

While many of the hand made embroiderers in the villages are aware that they are part of a larger world, they have a strong sense of their own national identity reflected in the appearance of maps and flags among the images. Looking at the work the visitor learns about the colors of the Afghan flag and how the name of the country is spelled in Farsi.

HOW HAS THIS PROJECT STARTED?
The villages in Laghmani:

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Laghmani consists of a group of several villages and is located approximately 60 km north of Kabul in the Shomali plains in Parwan province. The DAI has been supporting projects in the Shomali plains since 2002, including a women’s center in Laghmani hat offers widows six months courses in dressmaking and sewing. The hand embroidery project was developed within this project.

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In 2003, two women who still practiced hand embroidery were employed as teachers for six months offering other interested women the opportunity to learn or refresh the skills. Since then, the women have been embroidering at home in their yards. Their brief was to embroider small squares (8cm x 8cm) with motifs and colours of their choice. Materials (fabrics and embroidery threads) were provided.

In 2004 the first cloth filled with embroidered squares arrived in Freiburg.

In 2005, Pascale G. undertook her first journey to Afghanistan to meet the women.

Find out more about the development of the project in recent years in the travel reports.

All the info on the website
get in touch
http://www.guldusi.com/

(click on any embroidery)

 

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Copyright ©GULDUSI EMBROIDERIES PROJECT AFGHANISTAN

Vitrinart © Copyright 2012-2016 All right reserved

 

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Artist authorship + no commercial use + no modification

Copyright ©GULDUSI EMBROIDERIES PROJECT AFGHANISTAN

Vitrinart © Copyright 2012-2016 All right reserved

Carole Sahebzadah une des administratrices du site